![]() A poorly written original character should seem thin and superficial compared to the established characters. Putting an original, as yet unformed, character in a story with well-established characters should highlight any flaws in the original character. If something doesn't feel right, change it and keep changing it until it seems natural. Take note of how you want your original character to react to, and speak with, the borrowed character/s. a jerk should stay a jerk, a comic-relief character should stay the comic-relief character. ![]() ![]() They should be able to interact without any change to the borrowed character/s' established behavior e.g. The point here is to write a new character that's as well-rounded and real-seeming as the borrowed character/s.ĭevise a quest or goal for the characters. Writing too many original characters too soon will increase the difficulty of the exercise. Make the borrowed character/s interact with an original character. The point of this step is make borrowed characters fit naturally into an alien setting without changing who they are or how they behave. You should know the characters well enough that you can build an original scene around them without changing their fundamental traits. You're essentially writing a totally original scene with borrowed characters. Only use characters that you're very familiar with ones whose personalities and motivations you understand. This exercise can be applied to any genre, and its purpose is to learn the difference between well-written and poorly-written characters.īorrow a famous character or two from a book, or film, or comic, and place the character/s into an original story/setting. It's okay to treat your character outline like a draft and do revisions. The outline is for you it will help bring your character to life. Most of these details won't make it into your story, but that's okay. Write every detail you can think of: birth marks, scars, hobbies, phobias-absolutely anything. Write a detailed outline of the character you envision. Even if a character behaves bizarrely, there must be a believable reason for it. They are believable even if their behavior is, or can sometimes be, extreme.Ĭharacters must have personality they can't say and do random things because those things are convenient to the scene or story. Two-dimensional-sometimes called three-dimensional-characters seem more real. Writing scary characters starts with writing believable characters.Ĭharacters who are one dimensional lack substance and depth.
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